Friday, March 15, 2013

PIPE TROUBLE



Head over to www.pipetrouble.com to have a look at the great new indie video game "Pipe Trouble." Developed by Pop SandboxPipe Trouble is a re-imagining of an old arcade classic that challenges players to ferry gas and oil across a variety of challenging environments. In addition to its challenging gameplay, Pipe Trouble – now available for iOS and Android — is designed to explore both sides of the debate around energy extraction by putting the player on the spot when hard choices need to be made.

Myself and Mike from FU collabo'd to write the soundtrack, which is three separate levels of multi layered, gameplay-based music. As the game gets more challenging and hectic, so does the music.

This was my first real foray into electronic music composition (though there are a lot of analogue instruments involved as well), and the first time i've had to contribute to songwriting which has no linear or structural goals beyond its own infinite repetition. These are not songs as much as it is 'music,' or at least an abstraction of it. Focusing so closely on one musical cell gets you closer to traditional ideas of composition -- the development of one musical idea through a long piece of music -- but based on how passive and repetitive video game music has to be, one is forced to simplify every urge to diversify what you're coming up with. While any canonical approval a la Super Mario or Tetris is probably a long way off, this was a much needed stretch of creativity.

HERE is a link to a trailer for the game.

Here I am in digital format. They even nailed my jumper.


Wednesday, January 9, 2013

Ricercar



Scott Cudmore and I will be reprising our previous sonic effort for the Design Exchange at Long Winter Program this Friday -- reworked, slightly more civilized, and with the voices of the great Romy and Sari (Tasseomancy, Austra).

Cast of Characters --

Sari
Romy
Bell Tower, Amsterdam
Department Store, Tokyo
Air Duct, Istanbul
A Very Low Frequency
Electronic Effervescence
Freight Train, Junction, Toronto
Deep, Dark, Hum
Electricity Arcing
Electricity Humming
Earth's Rotation
Tokyo, and a gong falling.
Motor running
Avalanche
Single tone on a Fender Rhodes
"Plasmashot"
 Applause (please)



--LONG WINTER PROGRAM--
JANUARY 11TH, 2013
THE GREAT HALL
1087 QUEEN STREET WEST
TORONTO, ONTARIO
8PM

Tuesday, June 5, 2012

CHERRILHO BEACHINHO



Brazilian pressing of Career Suicide's "Cherry Beach" is now available! This no doubt waxed, tanned, and Orfeuian beast is now available in the streets of Rio, Brasilia, and Sao Paolo. But, you should play fisherman, cast a line, and reel this piece of ice cold Canadiana over to wherever you're from.

WE NEED TO PLAY A SHOW THERE.


Wednesday, May 9, 2012

Forking Paths



Once I sang a Christmas Carol with my wife.
We sang it, recorded it, dubbed, and sent it off to our little niece in Wales.
Her sister, who was a little older, and probably too cool for Christmas Carols needed a song too.
I wrote a song that "sounded like the Goo Goo Dolls."
(apparently my level of being 'in touch' is through the roof)
An opportunity arose.
Instead of a gift,
it became an article of labour.
Now it's a song that AC Newman sings on.
Now it works for me.
We still owe her a present.

THE ORIGINAL

THE FINAL

Friday, March 23, 2012

HI CHECK OUT MY OTHER OTHER BLOG ON THE RIVAL BLOGGIST'S PLATFORM

RIGHT HERE.

"Once I worked a demolition job in the East End of Toronto. I found this curious photo album in the rubble. He (you/her) seems to have taken a lot of photographs of bands, been in one yourself, and maybe even gone on tour with the Pointed Sticks, Cheap Trick, and Blondie (lost that photo). Who the hell are you?"

Wednesday, March 14, 2012

Repost for the Wordy

Here is a tiny taster of a thought on the power of usage, something that -- should the twerpier side of yours truly appear more than once ever half year -- will appear more on this blog in the future.

Should also be noted that this sort of linguistic motif is part of the basis for the Fucked Up song, "Magic Word."

Read on HERE

Wednesday, February 1, 2012

WHO KILLED ANNA?

Once I recorded a record.
I asked someone to release it, and they said yes.
Then, for one reason or another, they said no.
Then, I asked someone else, and they said yes.
Then, for some reason or some other, it didn't seems to come through.
Then, I sent it to another person, but they didn't seem to think much about it.
However, they liked the b side.
Further, I sent it to yet another.
Forward, they decided to pass.
Finally, someone knocked at the door.
Fantastic, a home for the record.
Fortunately, they were on board with the plan.
Fifty were released, but I never received one.
In fact i've never even seen one.
Then, he disappeared, and the record is likely lost with him.
Here's a song off it.
It's a bit out of date.
The unanswerable question has been answered.
Glad I could help.

Lonely Wholesome, Who Killed Anna?

ULTRA LINGUA




Despite the more lasting (and often cartoonish) exports of Italy -- food, notions of community, photogenic antiquity, the word "EHHHHHHH," mustaches, Fascism in Colour, Futurism, fast talking etc -- the Italian language seems to be one of the most diverse mother tongues in Europe. Its diversity is both in its ability to be descriptive and broad, and its moveable type through the geography of the country. One unofficial statistic of talk-lore is that a new dialect erupts in Italy, on average every 7km's or so, making quite a statement at the importance of conversation. Meaning, of course, develops through speech: without certain aids, the nuance of conveyance for mood or the genuine can be lost in type and so spoken language, tonality, gesturing etc pick up the slack.

Not much of a revelation really, but what about when such a small linguistic geography gets splintered into so many pieces? Italy is 301,338 square kilometers, and if we are judging by our unofficial statistic of a new dialect every 7km, that's about 43,000 divisions if we're being lazy about math...and we are. According to the "Global Language Monitor" - a lazy internet search-produced result - there are 1, 013, 913 words in the English language, with more being neologized everyday. For the sake of baffling statistics, if we applied the threshold of changes that there are in Italy, that's a theoretical 43,598,259,000 terms of expression happening at any given second of the day.

The point is not to impress or overwhelm, however, just to acknowledge the height of potential fracture that a language can go through. Imporant to the clip, however, is that as far as my ears are concerned, this film is shot entirely in Roman dialect. The chosen non-representation of Italian in English speaking circles is pretty much "mammanama, mammanamammanamammanamana, mannnamammanamammaNA" and of course this film does nothing to dispel the caricature of the face fireworks that occur around a Roman dinner table. What it does effectively, is represent one strain of language that has become specific to a place -- and also a time, since these dialects are changing vastly -- with shimmering, shouting result.

Monday, October 31, 2011




The greatest maze ever scribbled sends a shaken echo in and out of all the places it used to emanate from.
















Thursday, October 27, 2011

Thick and Thin

Last summer on a drive into Italy I witnessed something funny happen at a rest stop. We were driving from Geneva, and instead of stopping in Switzerland to pay 8 euros for a bag of nuts (regrettably i did this) and some second rate pastry, we decided to wait until we were in Italy to get slightly cheaper and far superior highway food.

The drive is among the most beautiful one can take through Europe. Four wheels and a distended payload have never so happily struggled its way through mountains, valleys, and hairpin turns. There are very few places to stop and eat, though, so once we crossed the border, we navigated to the first trough we could find. There were more than enough choices to combat the painfully ubiquitous "Cold Cheese Sandwich" that occupies most of Europe's road stops, but being at the gartered thigh of "the boot" one leaps for what's local: pizza.

While I was waiting in line for my slices, I quietly observed all of the voices around me, mentally resetting my internals towards my strongest foreign language, Italian. I eavesdropped on people speaking Italian to help me remember phrases, but the loudest voices were coming from English speakers, too hard to ignore...even deep in character of my caricature. It was not just English, though, but thick, baudy, greasy, clattering Scottish voices. Real rough and tumble. Even the ladies, whose high voices ought to have been soothing counterparts to the combustion of the other mouths, sounded like gears grinding together. The other language being spoken was money. Commerce in this cafeteria was cut in two and divided equally: leave it to the italians to try and peddle a swindle, leave it to Scotland to rally for the cause of logic.

We were all lining up for pizza, and making our orders at the cash register. As intended, I pretended to not speak English so I wouldn't have to get involved or have to take part in empty commiseration with other foreigners. While it's really enjoyable to 'blend in' at some place that isn't your own, it was mostly so I could just watch it all happen. The first group, three young males, tried to order a "BEGG PITSUH. REET?? A BEGG WUN" and the painted cashier obliged "Ah, yaysse. A beeg-a Pizza. Hokay. Heighteen Uros." Eighteen euros was paid and the group of Scots waited patiently down-counter for their food to come out of the oven. I had ordered "Due trancii di Margherita, e un cafe" and efficiently followed the herd with my false identity intact. As they got further towards the end of the counter where one picks up their order, they seemed to take particular notice of the pricing signs in front of the various slices of pizza for sale: EU3.60 per slice. This is our moment of conflict. A man in the group with a particularly char-grilled eyebrow turned to his mates and said "ACH WAIT A MENNET. IF THOSE ER THREE SEXTY A POHP, AND OUR PIZZA IS AYTEIN YOOROAS, WE'RE GETTIN REPPED OFF. WHERE'S THE MATHS IN THAAA." -- Then there was mass confusion and panic as the message spread in the group, part gossip and part poison.

The woman responsible for delivering the orders came over and started asking who was waiting for slices. The scots queued with new determination -

"BEGG PITSUH! REET HEEYAR." The waitress had a look at the receipt and replied

"your teecket saysse you ownly orderred 4 slices, and that you've (pointing to another person) only ordered 3. Szo, 7 slices total?"

And the reply: "AYE, SHEEE HED THREE SLICES, BUT WEE HAD THE BEGG PITSUH, WE PAID FOR ET, 18 YOOROAS"

and the rebuttal "Ah boot, it sayse 'ere that you only have ordered 4 zlices"

and again "BUT WE PAIYDT AYTEIN."

--and so this continued back and forth until finally two pizzas of identical size emerged from the oven. One was sliced in to four, and delivered to those waiting for slices. The other was put in a box, cut in to 8, and given to the Scots, who were understandably vexed at the division of provision. Begrudgingly and with visual condemnation of the outcome, they accepted the begg pitsuh, but before they left grillbrow stepped forward to spek his peace - "LOOOUK. WE'VE PAID, IT'S ALRIGHT, BUT I JUST WANNA SEH WAN THENG. SLICES, THREE SEXTY A POHP, 4 SLICES EN THESS PITSUH, BUT IT'S 18 YOOROAS. SHE GOT THREE SLICES, 3.60 A POHP, SHE PAID 10.80. HOW EXAHCTLY DOES THA WERKK? IT'S OOT OF ORDERR."

He hands her his receipt. The woman, stared at the receipt and in a moment of deliquescent bureaucratic death, she looked up and said to the chef, in Italian, "He's right...this makes absolutely no sense." I was stunned. There are few people more stubborn than Italians, and i'm not sure any of the stereotypical warmth and compassion so typically applied to the Italian national identity stems from border dwellers in the north. So she turns to the supervisor, and says "what's going on with these pizzas? A large is the same size as one divided up for slices, and it costs twice as much, it doesn't make any sense."

For this glimmer second, of all the microcosms of upset people in the world, it looked like someone on the INSIDE was finally going to listen and deliver justice. I think everyone in line with any comprehension of English, Italian, or sympathy, was holding their breath in anticipation of this bid for recognition. The boss, and then the cook in turn, stepped to the microphone, so to speak, and responded.

"They are all crazy. Go tell them not to be crazy. Stop it. A slice costs what a slice costs, a pizza costs 18 euros, everybody knows that. Tell them to learn the rules."

In those Scots paying for that Pizza, one witnessed one of the faces on the many heads of the world, and it was saying: I know you're wrong, and I know i'm right, but I suppose it doesn't matter..." For a  fleeting moment, rationality tried to battle governance, and endured a small victory. There was hope for the world (maybe just the pizza eating world)! Sadly, in the endgame of baked dough and melted cheese -- and perhaps more relevant for the world we're inheriting -- though, another "uprising" was wrapped up, sliced apart, and handed straight back.